“The time and care that Donna took with my recent manuscript were obvious in the spot-on thoughtfulness of her editorial comments. The changes I made in response to her feedback were the ones that got this story over the hump and out on submission. Sharing that manuscript with Donna was one smart move, and it’s one that I’ll be eager to repeat.” —Chris Barton, award-winning author of THE AMAZING AGE OF JOHN ROY LYNCH (Eerdmans, 2015) and WHOOSH! LONNIE JOHNSON’S SUPER-SOAKING STREAM OF INVENTIONS (Charlesbridge, 2016), and THE DAY-GLO BROTHERS (Charlesbridge, 2009)
Donna has helped me with just about every book I’ve had published. She has a knack for getting in there and helping a writer to narrow their focus, to find the core of their story. Recently on a picture book project, when I was stuck on a plot point, Donna offered feedback that helped me to strengthen my story arc while understanding my character’s motivation better. That manuscript is now in acquisition with a major publisher. Thank you, Donna, for helping me to see the world through my character’s eyes. —Don Tate, award-winning author, illustrator, and author/illustrator of many picture books including IT JES HAPPENED: WHEN BILL TRAYLOR STARTED TO DRAW (Lee and Low, 2012), and POET: THE REMARKABLE STORY OF GEORGE MOSES HORTON (Peachtree, 2015), and STRONG AS SANDOW: HOW EUGEN SANDOW BECAME THE STRONGEST MAN ON EARTH (Charlesbridge, 2017).
“I couldn’t possibly have written my debut picture book, The Youngest Marcher, without Donna’s guidance. Her expertise in structure, voice, plot development and resolution, setting, and character made all the difference. I highly recommend her critique services; they’re worth every penny.” —Cynthia Levinson, author of THE YOUNGEST MARCHER (Atheneum, 2017), WE’VE GOT A JOB: THE 1963 BIRMINGHAM CHILDREN’S MARCH (Peachtree, 2015), and HILARY RODHAM CLINTON: DO ALL THE GOOD YOU CAN (Balzer & Bray 2016)
“Donna digs in deep. Her expertise with non-fiction picture book biographies surpass the typical one-page critique. She will help you find the heart of your story and which way to focus your efforts moving forward. With years of practice, including an MFA from Vermont College of Fine Arts, her critique will get you to the next level.” — Cate Berry, VCFA graduate and author of the forthcoming picture book PENGUIN AND TINY SHRIMP DON’T DO BEDTIME P(Balzer & Bray/Harper Collins, 2018)
“I had struggled with a story for some time when I invested in a critique with Donna. Not only did I receive fresh insights, I felt like my book gained a champion – someone who would join me in willing it into the world and would also share the tools to help me find the universal in what had become intensely personal. Donna delivers – with kindness and compassion, grit and grace. Your best work deserves her focused attention.” –Aimee Thomas
The Nitty Gritty:
Hello! Thank you for your interest in my critiquing/editing services/teaching services.
We hear it all the time. We have one chance to make a great first impression. Even well-published authors have their manuscripts critiqued before submitting to their agent or editor. It is doubly important for pre-published writers.
For years I have enjoyed helping writers finesse their manuscripts through thoughtful and informed feedback. I always feel honored to be part of a story’s evolution and a writer’s self-confidence. I would be delighted to help you, too.
* I studied the craft of writing long before earning an MFA in Writing (concentrated on Children’s and Young Adult Literature) from Vermont College of Fine Arts (VCFA). I have critically analyzed and studied countless books, from YA to picture books and poetry.
* As an author, I have worked with multiple editors on a variety of projects, both trade and educational. I’ve written for magazines and newspapers, too.
* I currently have six published books, one additional forthcoming title, and other books—fiction and nonfiction—in various stages of submission or revision.
* My critical thesis focuses on the creative approaches to picture book biographies and the often fuzzy nonfiction line, but I am well-versed in all genres.
* I have taught and mentored writers who have found me through SCBWI events, various critique groups, as former critique group coordinator for Austin SCBWI, and as a writing instructor for The Writing Barn. I will be offering online classes very soon.
The Genres I Welcome for Critique —
Picture books—fiction, nonfiction, historical fiction, including those intended for trade or educational publishers.
Chapter books—fiction and nonfiction. Please understand the difference between chapter books, early readers, and middle-grade novels. Clementine, June B. Jones, Magic Tree House, Captain Underpants, and Critter Club are examples of chapter book series for different age ranges. The average chapter book is 6,000 – 15,000 words. If you need further clarification, feel free to contact me.
Middle-grade novels—up to 50,000 words.
What You Can Expect From my Feedback:
Firstly, I will read your manuscript multiple times, allowing your story to objectively simmer. The time stamps in my comments often illustrate this contemplative and dedicated time.
I offer two levels of critique:
In a macro critique (my cheapest option), I will carefully read your manuscript multiple times, then I will write you an editorial letter that addresses your manuscript’s strengths as well as areas that need work. In this option, I will not make line-by-line comments on the manuscript. Contact me with questions
In a micro-level (developmental) critique, I will provide feedback on your manuscript by way of track changes. I will also include a one-to-five-page editorial letter that addresses the craft elements of voice, structure, word choice, narrative arc, scope and story angle, dialogue, theme, pacing, setting. When feasible, I will also offer potential mentor texts or comparable titles. Contact me with questions
*30-minute Skype or telephone call included with every critique!
Rates vary, depending on manuscript length, the complexity of the content, and anticipated time commitment. I will read a portion of your work (or full manuscript if a picture book) to determine a reasonable time commitment and fee. Average rates are shown below:
Picture books—$200-$350 (depending on length and my time commitment)
Second look critique, post-revision on a picture book—$50-$75.
Chapter books up to 15,000 words— contact me for information.
Middle-grade novels— Contact me for price and availability.
Mentorship / Coaching
Are you looking for ongoing mentorship? Would you like in-depth one-on-one instruction and coaching based on an MFA packet model, or a customized structure that fits your particular needs? Whether you’re looking for continuing help with specific manuscripts or interested in foundational instruction on the writing craft, I would be happy to discuss a mentorship plan that works for you. Contact me for more information.
“…your detailed feedback really did teach me a lot about my own process and approach- much more so than other writing “coaches” (professors in my grad program), so cheers for that.
I will also say that you are a really good coach. You gave critical but necessary feedback that showed thought and care for my work and my person. I think it’s really easy for reviewers to pass off beginning writers as incompetent. Instead, you took the stories seriously even with their flaws which is encouraging and gave me confidence to keep going. That’s hard to do. I feel like there was a lot of room for me to ask questions, which you responded to quickly and with resources.
I hope that we can keep working together.” –Katie P.
I Teach Writing, Too!
Teaching is one of the most fulfilling aspects of my career. I would be delighted to teach a class or workshop focused on the publishing journey or requested aspects of the writing craft—fiction.
An Extra Plug for this:
I have deep expertise in picture book biographies—a unique literary form that is in great demand today. My experience includes deep research into the components of, and creative approaches to, picture book biographies for my graduate critical thesis. My research included a study of how the Library of Congress, publishers, and awards committees define nonfiction and how they feel about creative elements. The results might surprise you. All writers and illustrators should understand how books are classified. I enjoy sharing my expertise with other adult writers in classroom, conference, and workshop settings. Contact me for more information.
“I was wise to take a summer class with the talented Donna Bowman. During it, I labored, persisted, stretched and cried a little. If you want to grow and learn, please take any class with Donna. You will be forever changed and inspired.” —Wendi W.
“Taking Donna’s course was just what I needed to gain confidence in my writing and join a writing community. She is an expert on picture book writing and shares her knowledge so generously with all of her students.” –Susan H.
“I got SO MUCH out of this class! I loved the depth of insight you presented and feel that it worked on so many levels – simple enough for beginners, but complex enough for those further along on their writing journey.” — Gayleen R.
“It was a great gift to myself attending your class. I enjoyed your teaching style and the input from classmates. It was excellent!” –Tracy V.